Blade Runner




All those moments will be lost in time, like tears in rain.

Often hailed as Ridley Scott's defining masterpiece, this dark vision of our future was shunned by most audiences when released. But it has since become a cult classic. In a future not so far away from now, our story takes place in the dreary ghettos of Los Angeles. Rick Deckard (Harrison Ford) is a blade runner, a special cop assigned to hunt down machines called replicates that are like humans. Replicates are forbidden on earth, and there are six that Deckard needs to track down and "retire."

A brooding contemplation, Blade Runner is a thought provoking take on how a machine might look at life. The replicates seem to enjoy life more than their human counterparts. Humans who live on earth seem to be as bleak as the forlorn landscape they inhabit. But it is neither futuristic technology nor these settings that this film focuses on. These replicates and their thirst for more life are at the heart of this movie. Deckard begins to have feelings for one, Rachel (Sean Young), who doesn't even know she's a replicate. It is in tender moments that you see how this affects her, as everything she has taken to be fact turns to dust.

The rest of the replicates are less civilized than secretary Rachel. Roy (Rutger Hauer) is the leader of the bunch, and can be both tender and savage. They are trying to cope in a world that no longer wants them because they have become hazardous.

The settings and even the effects are excellent, considering. This future is a startling revelation that could conceivably become our future. It never dwells on this, but presents the entire movie in an honest fashion. This prevents it from feeling bogged down by gloomy sentiments. A good flow is developed, as Deckard gets closer to tracking the replicates down. Ridley's direction is sure and steady throughout. Elements are further established with the excellent music. The theme is an unforgettable melding of mood and emotion. It has an appealing sequence that perfectly embodies the uncertainty of just who the hero of the movie is.

It is surprising that Ford's character is the least remarkable of the cast. Both Hauer and Hannah are unforgettable as the bliss seeking replicates. A capable supporting cast is also in place.

A subtle blend of action, romance and dark consideration. This review refers to the director's cut, which is far more satisfying than the theatrical release. Also of note: there is an abundance of symbolic elements that can be interpreted in countless ways.



-The Gnome